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The Roger Oldfield Page
Cranes over the Sow
- Poem for a Scottish court
by Roger Oldfield
Roger Oldfield is a Quaker and last year he protested against nuclear weapons
at Faslane. After sitting in the road he was arrested for 'A Breach of the
Peace'. He intended to read the following in court, but although the
magistrate read it before passing sentence, he was not allowed to.
I would like to show the legal and moral justifications for my actions by
reading a poem, which will last about 7 minutes; I hope this is acceptable. I
won't elaborate afterwards, but I would like to make some brief preliminary
points, particularly about the title, which is 'Cranes over the Sow' ·
• The poem is addressed to a girl called Sadako, who was 2 when the atom bomb
with the macabre nickname 'Little Boy' fell on her home town, Hiroshima. When
she was 11 she found she had leukemia from radiation from the bomb. She set
herself to make 1000 paper cranes, but only achieved 644 by the time she died
at the age of 12. Her story has helped to make the crane a symbol of
international peace. ·
• The idea of using cranes as a symbol also came from the name of Alison Crane,
whom you may have come across in this court. Alison has played a big part in
the Trident Ploughshares campaign, which asserts, as you know, that Britain's
nuclear weapons are illegal and which aims to disarm these weapons by peaceful
direct action. Alison and I live in the same town, Stafford, and that is where
my hopes and fears for my children are focused. Stafford lies by the River Sow,
and is referred to in the poem as 'Sowside'. ·
• The poem also refers to phrases in a famous Old Testament passage: ·
• first '... they shall beat their swords into ploughshares', a metaphor for
peace-making ·
• and second '... they shall sit every man under his vine and fig tree'. This
image, of every person having equal freedom to sit peacefully under his or her
own vine and fig tree, expresses a vision of a world where justice and peace
rule. In my poem I've made the fig tree into an apple tree, as that is more
appropriate for Sowside. ·
• I hope that you will accept that none of the challenges in this poem are
intended to be in any way personal. They relate rather to the roles which all
of us in this court are playing. As a Quaker, I feel that it is my role here
today to try in my own little way to 'speak truth to power'.
Sadako, we gave you leukaemia
When 'Little Boy' fell from the plane
But you dreamt a new Hiroshima
And papered the world with your cranes
So swords would be beaten to ploughshares
Sadako, you saw a world free
Where each could sit safely on Sowside
In peace 'neath her own apple tree
Yet still it's not safe here on Sowside
Where crumbly old railroads decay
While bearing the work of the warriors
That oozes up Sellafield way
And convoys that prowl down the M6
Toward Aldermaston's dark gate
Risk giving our children leukemia
As Sowside irradiates
Sadako, it's not safe on Sowside
It's right in the range of the fire
When Sellafield's hit by the lepers
Or launchers on Tridents misfire
They say that this arsenal sailing
Is helping to keep Sowside's peace
And yet it's all aimed at Sadakos
Who aim back their missiles at me
Sadako, there are laws to guard us
World justice rejects genocide
Yet everywhere round us the plotters
Cast world-agreed laws on one side
All justice flies out from the window
In mad uncontrollable war
Where numberless cranes and Sadakos
Are killed against every known law
Chorus:
But cranes are in flight over Sowside
To warn of the hawks high above
And call us to open our dovecotes
And turn the skies white with our doves
We penned words to Whitehall for justice
'Don't steal all our wealth from the poor'
They said human rights were just paper
They had to buy missiles for war
We wrote to our Westminster sages
The ones who make most of our laws
But most of them said they thought peace comes
From threatening nuclear war
Sadako, we struggled for justice
By helping the Strathclyde police
To save all the poor and unhealthy
And Gaia from breach of the peace
We sat down in roadways at Faslane
To block all the routes into war
Upholding the spirit and letter
Of humanitarian law
We sang in the road in our peace rings
But then came our friends the police
Arrested us right there and charged us
'Disorderly, breach of the peace'
The officers had the law muddled
Imagining we were the hawks
And so the true culprits flew cageless
And we were now viewed like Guy Fawkes
Chorus:
But cranes are in flight over Sowside
To warn of the hawks high above
And call us to open our dovecotes
And turn the skies white with our doves
I stayed from my trial, Sadako
I'd only be wasting their time
We'd simply been trying to help them
To stop the world's bloodiest crime
But then on my front door a hand knocked
Two men from the Sowside police
Were waiting out there to arrest me
For walking the road to world peace
The ceilings in police cells on Sowside
Have writing that stares at the floor
To tell you they'll pay if you help them
In catching the breakers of law
I told them about all the warriors
Who threaten the peace on Sowside
With trains and with lorries and missiles
Preparing for last genocide
I told them of those in the White House
I told of the plans in Whitehall
I shopped all the profits at Barrow
And Rolls Royce and Lockheed and all
I told about academe's traitors
Who'd sold out their physics as well
And yet the law mocked me, Sadako
And kept me cooped up in my cell
Chorus:
But cranes are in flight over Sowside
To warn of the hawks high above
And call us to open our dovecotes
And turn the skies white with our doves
Two officers took me to Scotland
And caged me once more in a cell
The next day the J. P. was waiting
To hear what it was I would tell
I said that I just wasn't guilty
He told me to come back again
And so after three months I pleaded
By reading these words from my pen
I said once again 'I'm not guilty
I sat down to uphold the law'
He told me 'Your breath is just wasted
That's not what this court here is for
You sat in disorderly circles
Your songs breached the peace of this land
Examples we must make for justice
Or crime will get right out of hand'
Sadako, he asked me for money
And gave me advice just for free
'You are the danger to Scotland
The justice of peace that is me'
I said 'Then I must find you guilty
You're clearly in league with police
With governments and corporations
To breach the world's laws made for peace'
Chorus:
But cranes are in flight over Sowside
To warn of the hawks high above
And call us to open our dovecotes
And turn the skies white with our doves
Like Alison Crane I'm a Quaker
Each seeking to know higher law
And seeking to live in that power
Which has no occasion for war
And everyone there in that courtroom
Had deeply-held principles too
And everyone longed to see justice
And all wanted peace just like you
And then I saw cranes in that court room
Sadako, you touched every heart
Police, clerk and J. P. and lawyers
All struggled to step from their parts
Your spirit was in us, Sadako
For each and all of us knew
My innocence came from a future
Where no child would suffer like you
Sadako you spoke origami
'Leukaemia is only for me
Never again Hiroshima
My one thousand cranes are for peace'
So Trident we'll beat into ploughshares
Sadako, we'll set the world free
And each shall sit freely on Sowside
In peace 'neath her own apple tree
Chorus:
But cranes are in flight over Sowside
To warn of the hawks high above
And call us to open our dovecotes
And turn the skies white with our doves
Roger Oldfield
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Your comments
I felt this rather long and well written poem could have stood alone in
court without a preliminary statement to the magistrate.
The preface spoiled it for me and the argument is cleverly stated in the
various
stanzas. I groaned when I first saw its length and groaned much more
when it finished.
It's quite possible the magistrates would agree with
its contents but were forced to apply the law in accordance with the
advice the clerk of the court gave them.
I share a very different
outlook to Mr Oldfied on matters of this kind but that does not make me
like this work any less.
It's a very readable and poignant work.
John Williams
I thought the sentiments were valid and very well put in the main, but I agree
with the previous critic - it needs shortening to make it punchier. Lots of
good stuff in there though, many will agree with you and grieve for the way the
world is going today.
Jude (Judith Scott)
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